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Fabienne Verdier (b. 1962, Paris, France) is an abstract painter who explores the dynamism of forces in nature, movement, and immobility by drawing on her intimate knowledge of techniques and traditions of both Western and Eastern art. Verdier paints vertically, standing directly on her stretchers, using giant brushes and tools of her own invention suspended from the studio ceiling. Her work combines Eastern aspects of unity, spontaneity, and asceticism with the line, action, and expression of Western painting.

As a young art school graduate, Verdier left France for China in 1985 to study the art of spontaneous painting and other Eastern traditions with some of the last great Chinese painters who survived the Cultural Revolution. Her adventure and immersion as an apprentice painter would last nearly ten years, recounted in her 2003 book, ‘Passagère du Silence’.

Verdier’s work has been exhibited extensively in Beijing, Singapore, Taipei, Paris, Rome, Lausanne, Zurich, and Brussels, among other cities. In 2011, she was included in an important group exhibition The Art of Deceleration, from Caspar David Friedrich to Ai Wei Wei at the Kunstmuseum in Wolfsburg, Germany. In 2012, the Hubert Looser Foundation of Zurich, having previously commissioned several works, selected Verdier for a group exhibition with Donald Judd, John Chamberlain, Ellsworth Kelly, and Cy Twombly in Vienna’s Kunstforum. In 2013 the GroeningeMuseum in Bruges, Belgium, held an important solo exhibition of Verdier’s work in conversation with Flemish Primitives such as Van Eyck and Memling.



Born in Paris, France, 1962


In 2014, she was invited to create an installation of seven works for Köningsklasse II, organized by the Pinakotek der Moderne of Munich,
and participated in Formes Simples at Centre Pompidou-Metz in France. In addition to her current
painterly research into possible links between music and painting, recent projects include Verdier’s conceptual collaboration with architect Jean Nouvel for the National Art Museum of China project in Beijing. In 2016, seven of Verdier’s works were acquired by Pinakothek der Moderne in Munich.
Verdier was invited to compose a visual partita for the 2017 edition of the Festival d’Aix-en-Provence and won the commission to design that year's Roland Garros French Open official poster. In 2018, the artist set up a nomadic studio on Sainte-Victoire Mountain, renowned for its presence in several paintings by Paul Cézanne. The resulting series was exhibited alongside the works of Cézanne at Verdier’s retrospective exhibition at Musée Granet, Aix-en-Provence, 2019.


In 2022, she is set to participate in two major exhibitions in France, at the Musée Camille Claudel in Nogent-sur-Seine, as well as at the Musée Unterlinden in Colmar.


Fabienne Verdier lives and works in France and Canada.

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